She is best known for her YouTube videos and competing on America’s Got Talent season 5 in 2010. Stirling grew up in Arizona and began studying violin at five years old. Lindsey Stirling is a violinist, dancer, and performance artist. The medley merges ‘The Phantom of the Opera’, ‘Angel of Music’, ‘Think of Me’, and ‘The Music of the Night.’ Lindsey Stirling released her arrangement of ‘The Phantom of the Opera Medley’ in July 2012 through her own label Lindseystomp Records. The song ends abruptly and the violinist is identified as Number 7, or Vanya, one of the siblings. The mood and intensity changes as each song in the medley blends into the next and the siblings learn the grave news about their father. The electric violin medley carries through a montage of introducing some of the superhero siblings of The Umbrella Academy. Starting on a dark stage with a single spotlight, a woman walks on carrying her violin. Opening montage introducing each character.
We Only See Each Other at Weddings and Funerals. Much of the music – especially the operas-within-the-musical – mimic the grand operas of the 19th century in their orchestration and style.īut the music makes completely different demands of its singers and the blockbuster songs of Phantom are custom-made for the powerful singers of the West End. It’s the longest-running show on Broadway, and in 2012 it celebrated its 10,000th performance! The Phanton of the Opera won a strong of awards including the Tony Award for Best Musical in 1988. The musical opened on London’s West End in 1986 and then on Broadway in New York in 1988. The original cast of the 1986 West End production included Sarah Brightman (Andrew Lloyd Webber’s then wife) as Christine and Michael Crawford as the Phantom. In fact, the story includes a number of made-up operas called Hannibal and the Phantom’s masterpiece Don Juan Triumphant. The style of Lloyd Webber’s music is deliberately operatic in style, while still remaining committed to its West End/Broadway origins. Lloyd Webber said: “I was actually writing something else at the time, and I realised that the reason I was hung up was because I was trying to write a major romantic story, and I had been trying to do that ever since I started my career. There had already been two film versions of the novel, but never a musical. 
The idea for Phantom came from Lloyd Webber, who contacted legendary producer Cameron Mackintosh and suggested creating a musical based on Leroux’s novel.
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